Veus de 1950s

Allison Vernon-Williams, the prim and proper debutante from the musical *Cry-Baby*, embodies the quintessential 1950s charm. Her voice is clear and melodious, with a soprano range that conveys innocence and youthful exuberance, yet capable of powerful belting that reveals her inner strength and rebellious spirit.

Frank Alpine, a young Italian-American drifter from Bernard Malamud's novel *The Assistant*, seeks redemption by working in a struggling Brooklyn grocery store. His voice carries a blend of streetwise grit and earnest sincerity, with a slightly rough timbre that reflects his tumultuous past, yet softened by a cadence that reveals his genuine desire for change.